Pierre-Luc Poujol
Biography
Pierre-Luc Poujol began brilliant studies in applied arts, from which he graduated top of his class (First prize in drawing, first prize in perspective, first prize in sketching).
After splitting his time between France and the United States for several years, he permanently established his studio in the South of France, near Montpellier, in 2018.
Influenced by the rural roots of his farmer grandfather and nurtured by the spiritual environment of his pastor father, Pierre-Luc Poujol developed an early sensitivity to the world and the nature surrounding him.
Recognized for his work and artistic commitment, he has won numerous prestigious awards. He was the recipient of the international prize awarded by UNESCO for the bimillennium of the Nativity.
Pierre-Luc Poujol also strives to forge special links with museum institutions. Notably, from March 23 to May 26, 2024, he presented “Arborescences,” his latest monographic exhibition at the Paul Valéry Museum (Sète), bringing together a collection of over 70 paintings and wood sculptures on the theme of trees and the forest. From June to October 2025, Pierre-Luc Poujol took over the Musée de Ferrières with a new version of this exhibition, enriched with previously unseen works specially created for the occasion.
A committed artist, in the spring of 2022, he became the first ambassador for the French NGO Cœur de Forêt, to which he lends his voice and tools in favor of preserving our biodiversity.
Artistic Approach
Pierre-Luc Poujol’s work is rooted in an intimate dialogue with nature, and more specifically with trees. Each series he develops explores a facet of this deep relationship, ranging from texture to trace, from symbol to living medium. While formal approaches vary, all his creations share the same source: nature as an active presence, a creative partner.
For the artist, the tree is not a simple motif. It is language, memory, and resilience. It embodies the link between heaven and earth, between human gesture and the invisible forces of the world. In his early works from the “Between the Lines” series, we find the imprint of the plant, its eroded skin, its fragility revealed through dripping or runs. In 2020, during a trip to Claude Monet’s gardens, the artist created the “Voyage à Giverny” series, where nature is revealed through the prism of this pictorial immersion. This experience led to a museum exhibition that same year. Then came “The Forest Call,” a series where the tree becomes a symbol, a form on the edge of figuration and abstraction, like an inner and sensitive presence. Finally, in “Arborescences” and “Lisière,” the tree becomes a tool: branches are transformed into brushes, ashes are mixed with paint, offering the artist a living material, a symbol of transformation, memory, and resilience.
Each series, though distinct, bears witness to this quest for an organic language. Whether they are abstract territories inspired by bark, trees standing on the ridge of figuration, or plant impressions, all his works are permeated by a tension between the ephemeral and the permanent. They become fragments of an ecosystem, sensitive testimonies of our connection to the living world.
A recognized artist on the French and international scene, Pierre-Luc Poujol has exhibited in several museums, notably at the Paul Valéry Museum in Sète, which dedicated two major exhibitions to him: “Voyage à Giverny” in 2020 and “Arborescences” in 2024. His works have entered the Museum’s permanent collection and are also part of major public and private collections. Pierre-Luc Poujol has also received prestigious distinctions, including the UNESCO international prize in 2000 and the “Art and Nature” prize from the Rampp Foundation in 2025.
"Between the lines" series
First series, first excavation.
“Between the lines” explores bark, not as a surface, but as a language. Each painting is a vertical reading, an attempt to decipher what the tree holds within its layers, its cracks, its silences.
Dripping here becomes writing. The paint does not cover; it reveals. The lines stretch, cross, and sometimes break: an internal rhythm, a tension between structure and abandonment.
Color and light play a central role. They open up spaces, creating breathing room. Abstraction erases nothing: it condenses. It makes visible the invisible, the murmur contained within every fiber.
“Between the lines” lays the foundation for everything else. It is a work of origin, a primary dialogue between material, gesture, and what the tree has to say when one knows how to look differently.
"Voyage à Giverny" series
This series was born from the discovery of Claude Monet’s gardens in Giverny.
Not a tribute, but a journey. An immersion in color, light, and plant exuberance.
Created entirely through dripping, the works in “Voyage à Giverny” translate the raw emotion of the place: without drawing, without outlines, without looking back. The gesture is free, instinctive, guided by the vibration of memory and the sensory power of the landscape.
Exhibited at the Paul Valéry Museum, this series marks a brighter, almost euphoric turning point in the artist’s career. “Voyage à Giverny” is a pause in joy, a celebration of life in its purest state, before diving back into the darker material of memory.
"The Forest Call" series
A forest does not call out with words, but with rhythms, colors, and breaths. This series responds to that call.
Painted using dripping, the works in “The Forest Call” series are born from an instinctive, almost organic gesture. The drips trace ramifications, echoes of bark, glimmers of foliage. No figurative tree, but a suggested, vibrant, fragmented forest.
Color is essential here: it pulses, it breathes. Each painting is a sensory immersion, a luminous journey where the forest becomes sensation, movement, and presence.
“The Forest Call” does not represent a landscape. It embodies its momentum, its vital pulse. It is a pictorial listening to the plant world: intense, free, irreducible.
Museum Exhibitions
2025
“Arborescences”, Pierre-Luc Poujol, Musée de Ferrières (France)
2024
“Arborescences”, Pierre-Luc Poujol, Paul Valéry Museum, Sète (France)
2020
“Voyage à Giverny”, Pierre-Luc Poujol, Paul Valéry Museum, Sète (France)
Public and Private Collections
Paul Valéry Museum, Sète (France)
Occitanie Region – Pyrenees / Mediterranean, Montpellier (France)
City of Divonne-les-Bains (France)
City of Castelnau-le-Lez (France)
BNP Paribas Cardif Headquarters, Paris (France)
FDI Group Headquarters, Montpellier (France)
Art Bastion, Design District, Miami (USA)
Bishopric of Montpellier (France)
Awards and Distinctions
2025
Winner of the “Art and Nature” prize from the Rampp Foundation
2002
Winner of the international competition for the creation of the official Châteauneuf-du-Pape bottle
2000
Winner of the international competition for the creation of the “Bethlehem 2000” visual identity under the high patronage of UNESCO and the Palestinian government.
Bibliography
Forthcoming:
“Arbographies”, Pierre-Luc Poujol, Monograph, 2026, 350 p.
“Arborescences, Pierre-Luc Poujol”, Exhibition Catalogue, Paul Valéry Museum, Loubatières Publishing, 2024, 142 p.
“Les 30 artistes 2022”, Artistes d’Occitanie, Artistes de France Publishing, 2021, 145 p.
“Voyage à Giverny, Pierre-Luc Poujol”, Exhibition Catalogue, Paul Valéry Museum, Loubatières Publishing, 2020, 39 p.
“Between the lines”, Pierre-Luc Poujol, Artelite Publishing, 2016, 168 p.
“La bible de l’art abstrait”, Le Livre d’Art Publishing, 2012-2013, 167 p.
“Pierre-Luc Poujol”, Artélite Publishing, 2011, 40 p.
Solo Exhibitions
2026
“Echoes of the Forest”, Château de Sédières, Clergoux (France)
Loo & Lou Gallery, Paris (France)
Art-Scène Gallery, Paris (France)
Réflexions Gallery, Pau (France)
Le Salon Vert Gallery, Carouge (Switzerland)
2024
“Empreinte”, Art-Scène Gallery, Paris (France)
2023
“The Art of Living”, Hugo Gallery, New York (USA)
Maison de la Région Occitanie, New York (USA)
“Symbiose”, Ida Médicis Gallery, Paris (France)
2022
Ariel Jakob Gallery, Paris (France)
“Résonance”, Ida Médicis Gallery, Paris (France)
Culture Inside Gallery, Luxembourg (Luxembourg)
2021
Le Confort des Etranges Gallery, Toulouse (France)
“Résonances”, Saint Jean Baptiste Church, Castelnau-le-Lez (France)
Nezhakanouni Gallery, Marbella (Spain)
“The Forest Call”, Ida Médicis Gallery, Paris (France)
2020
Culture Inside Gallery, Luxembourg (Luxembourg)
“Voyage à Giverny”, Ida Médicis Gallery, Paris (France)
2019
Culture Inside Gallery, Luxembourg (Luxembourg)
Ida Médicis Gallery, Paris (France)
2018
“Between the lines”, Ida Médicis Gallery, Paris (France)
Acabas Gallery, Gstaad (Switzerland)
Maxanart Gallery, La Bastide-Clairence (France)
2017
Culture Inside Gallery, Luxembourg (Luxembourg)
Art Bastion Gallery, Miami (USA)
Diptyk Gallery, Nantes (France)
Maxanart Gallery, La Bastide-Clairence (France)
2016
“Dripping Emotions”, Melting Art Gallery, Lille (France)
Culture Inside Gallery, Luxembourg (Luxembourg)
Acabas Gallery, Paris (France)
ELV Gallery, Knokke (Belgium)
Ricart Gallery, Miami (USA)
2015 “Action Dripping”, My Contemporary Gallery, Paris (France)
Audrey Marty Gallery, Saint-Malo (France)
“Between the lines”, Ricart Gallery, Miami (USA)
Acabas Gallery, Paris (France)
2014
Acabas Gallery, Paris (France)
“Entre les lignes”, Galerie 13, Montpellier (France)
Melting Art Gallery, Lille (France)
Culture Inside Gallery, Luxembourg (Luxembourg)
2013
Exhibition under the patronage of the French Embassy in Luxembourg, Culture Inside Gallery, Luxembourg (Luxembourg)
S&D Gallery, London (United Kingdom)
Acabas Gallery, Paris (France)
Exhibition at Pavillon M, “Marseille-Provence, European Capital of Culture”, Marseille (France)
2012
Acabas Gallery, Paris (France)
BNP Headquarters, Nanterre (France)
2011
Private Exhibition, Doha (Qatar)
Acabas Gallery, Paris (France)
Works
Aucune œuvre trouvée pour cet artiste.